- Re: in the realm of sensesposted on 11/05/2009
音乐很美,衣服也美。这男女之间的爱情是这么纠缠,分享一切。唯美,在于短暂易逝。 - posted on 11/07/2009
Sada Abe的故事太唯美,虽然她本人要求死刑,但她只在监狱呆了5年,距离她杀死情人的那天正好是5年。她70年的神秘失踪也奇诡,在今天这样的世界,连失踪都不是一件容易的事情。
她把情人的阴茎跟睾丸割下来之后,用一张杂志封面整齐包好,穿上他的内裤,去购物以及看电影。check 进一家小旅店,享受了一次按摩,喝了三瓶啤酒。
She planned to commit suicide one week after the murder, and practiced necrophilia. "I felt attached to Ishida's penis and thought that only after taking leave from it quietly could I then die. I unwrapped the paper holding them and gazed at his penis and scrotum. I put his penis in my mouth and even tried to insert it inside me... Then, I decided that I would flee to Osaka, staying with Ishida's penis all the while. In the end, I would jump from a cliff on Mount Ikoma while holding on to his penis."[38]
Abe was arrested and interrogated over eight sessions.[16] The interrogating officer was struck by Abe's demeanor when asked why she had killed Ishida. "Immediately she became excited and her eyes sparkled in a strange way."[40] Her answer was: "I loved him so much, I wanted him all to myself. But since we were not husband and wife, as long as he lived he could be embraced by other women. I knew that if I killed him no other woman could ever touch him again, so I killed him....."[2] In attempting to explain what distinguished Abe's case from over a dozen other similar cases in Japan,[41] William Johnston suggests that it is this answer which captured the imagination of the nation. "She had killed not out of jealousy but out of love."[42] Mark Schreiber notes that the Sada Abe incident occurred at a time when the Japanese media were preoccupied with extreme political and military troubles, including the Ni Ni Roku incident and a looming full-scale war in China. He suggests that a sensationalistic sex scandal such as this served as a welcome national release from the disturbing events of the time.[28] The incident also struck a chord with the ero-guro-nansensu ("erotic-grotesque-nonsense") style popular at the time, and the Sada Abe Incident came to represent that genre for years to come.[43]
日本的艺术有趣。这个故事今天读来还是太好笑。有人谎报遇见了Sada,造成交通堵塞.....疯狂的日本人。 - posted on 11/07/2009
一个凛然坚定从容的女子,我看只有中国的刘胡兰、江姐或者吴青华才能比。想到这个,这个隐喻蛮有趣。你看,中共宣传的这些女英雄都是被迫害、被凌辱被吊打的sub,这是一个什么心态?只有一个双枪老太婆,他们还给弄成个老太太。
再看水浒,里面杀男人作肉包子的孙二娘的老公是张青是倒插门儿的女婿:)
Sada很幸运,杀人案是在二战前期,坐牢是在二战期间,日本皇帝大赦,让她又少坐一年监牢,倒是免去上前线作慰安妇的劫难,这难道不是老天爷安排的幽默?这样因福致祸,又因祸得福的事情,全让sada碰上了。
...........
她从高台的长楼梯上缓缓走下来,穿越过一群拥挤的酒客,目光炯炯地盯着某位好奇者。男人群中爆发出惊叫,用手捂住下档,“把刀藏起来!”,“我怕去尿尿!”,sada冷手噼啪拍着楼梯栏杆,下面一片寂静,她继续沉默从容地端茶倒水。
http://en.wikipedia.org/wiki/Sada_Abe
n 1952 she began working at the Hoshikikusui,[61] a working-class pub in Inari-cho, downtown Tokyo. She lived a low-profile life in Tokyo's Shitaya neighborhood for the next 20 years, and her neighborhood restaurant association gave her a "model employee" award.[44] More than once, during the 1960s, film-critic Donald Richie visited the Hoshikikusui. In his collection of profiles, Japanese Portraits, he describes Abe making a dramatic entrance into a boisterous group of drinkers. She would slowly descend a long staircase that led into the middle of the crowd, fixing a haughty gaze on individuals in her audience. The men in the pub would respond by putting their hands over their crotches, and shouting out things like, "Hide the knives!" and "I'm afraid to go and pee!" Abe would slap the banister in anger and stare the crowd into an uncomfortable and complete silence, and only then continue her entrance, chatting and pouring drinks from table to table. Richie comments, "...she had actually choked a man to death and then cut off his member. There was a consequent frisson when Sada Abe slapped your back."[62] - posted on 11/07/2009
日本文化奇特!
幸好它没有成为大东亚的领袖,否则那一点独特也要被人口占绝对优势的汉族消磨掉。好在他们没跟我们同化。
Sada给了我去看日本的动力,一定去看看sada跟Ishada相识的那个餐馆。可惜Ishada的宝贝被人从博物馆偷走了,否则那可比什么佛指舍利好看。
她出狱后,又有一个人爱上了她,但他依然在朋友的压力下跟sada分手。
记得文革后期有个手抄小说,是讲上海解放前一个女连环杀手的故事。当然还有那个Bobbitt的故事。
http://en.wikipedia.org/wiki/John_and_Lorena_Bobbitt
这些报道写得都很搞笑,不知那个连接好后到Penis是否管用。9个半小时,夹缝医生在吗?你做过9个半小时的手术吗?
After an exhaustive search the penis was located, packed in ice, and brought to the hospital where John was being treated.
The penis was re-attached by Dr. David Berman during a nine and a half hour operation.[2]
太搞笑了。真实生活里太多戏剧。
Joint public appearances
Although Lorena told Oprah Winfrey in April 2009 that she had no interest in talking to John,[14] John and Lorena appeared together on the show The Insider in May 2009. It was their first meeting since their divorce.[15] On the show, John apologized to Lorena for the way he treated her during their marriage, and Lorena claimed that John still loved her because he has continued to send her Valentine's Day cards and flowers.
Magic finger! Gold finger! - Re: Sada Abe, a woman whom men should fearposted on 11/07/2009
不知为什么一直不喜欢日本的极端文化。看完“极乐园”心里会难受很久。看来修行不到位。 - Re: Sada Abe, a woman whom men should fearposted on 11/07/2009
还是based on真事儿啊,一直以为现实中的都是电影的copy cat呢,说实话这电影一直都没敢看,但前边这几贴真是笑死了。 - posted on 11/08/2009
列侬的老婆Yoko Ono 说:
“I wonder why men get serious at all. They have this delicate, long thing hanging outside their bodies which goes up and down by its own will. If I were a man I would always be laughing at myself.”
我不理解为什么男人那么假正经。他们每个人身体外面都吊着一根精妙的,长长的有着自己意愿的伸缩自如的“东西” , 我要是男人的话,我笑自己都来不及。
女人读《花花公子》杂志的感觉,有点像犹太人读“纳粹党手册”一样。-Gloria Stein
这样故事是女人们目前为数不多的色情故事。可怜。
好好握紧你的金手指!
hey, do you like Austin Power's gold member?
- posted on 11/08/2009
不知为什么中国人把这本书翻成“极乐园”。
A Lost Paradise (失楽園, Shitsurakuen?) is 1997 novel by Japanese author Junichi Watanabe. It tells the story of a 54-year-old married former magazine editor, his affair with a 37-year-old married typesetter and their double-suicide. The couple, Kūki an Rinko, are modeled after the famous case of Sada Abe。
http://en.wikipedia.org/wiki/A_Lost_Paradise
http://www.imdb.com/title/tt0120120/ - Re: Sada Abe, a woman whom men should fearposted on 11/08/2009
这可是老电影了,记得十多年前看过,好像还有个姐妹篇:In the Realm of Passion.后者的心理描写更生动。 - posted on 11/09/2009
周末去参观了一个日本武士道展,全是剑啊:
Yukimitsu
Blade for a Tantō (Dagger)
Kamakura period, 14th century
Steel; L. 10 3/8 in. (26.2 cm)
Tokyo National Museum
National Treasure
http://www.metmuseum.org/special/samurai_armor/images.asp
This is the first comprehensive exhibition devoted to the arts of the samurai. Arms and armor is the principal focus, bringing together the finest examples of armor, swords and sword mountings, archery equipment and firearms, equestrian equipment, banners, surcoats, and related accessories of rank such as fans and batons. Drawn entirely from public and private collections in Japan, the majority of objects date from the rise of the samurai in the late Heian period, ca. 1156, through the early modern Edo period, ending in 1868, when samurai culture was abolished. The martial skills and daily life of the samurai, their governing lords, the daimyo, and the ruling shoguns will also be evoked through the presence of painted scrolls and screens depicting battles and martial sports, castles, and portraits of individual warriors. The exhibition concludes with a related exhibition documenting the recent restoration in Japan of a selection of arms and armor from the Metropolitan Museum’s permanent collection. This is the first exhibition ever devoted to the subject of Japanese arms and armor conservation.
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